This sprawling UWS dwelling is quite the step up from her early 80's NYC apartment; a cockroach infested room on E4th Street & Ave C on the LES (now called the East Village). Here, the soon to be Queen of Pop slept on couch cushions she found in the trash.
Christopher had already designed the interiors of her Los Angeles mansion (which she gave him only ten days to complete) and Madonna never thought of having anyone else envision and execute her New York space. “Who could I have more in common with than someone I grew up with?” Madonna said of her choice of interior designer. “We like the same things, from music to what we eat.” Christopher, who was wholly self-taught in the area of interior design and who had no formal art training, also designed the stage sets for Madonna's 1990 Blond Ambition World Tour, which was the setting for the documentary Madonna: Truth or Dare. In 1993, he would design and direct her Girlie Show World Tour.
Madonna and Christopher, 1983
“I wanted to create a New York apartment. In Los Angeles the living spaces are big, wide open. There are loftlike attributes to them, and also the feeling of living in a penthouse. In New York I wanted to make a space for her that was elegant without being weak, peaceful without being boring. She prefers New York to Los Angeles because when she’s here she can relax. There’s a city here—you feel you are with people, living with the rest of the world, not confined to an automobile. But it still had to be a place she would feel safe in. Even though there’s a view of Central Park, you don’t feel exposed to anything.” said Christopher.
Madonna and Christopher, 1990
The apartment was originally three separate units. Madonna and former husband Sean Penn had bought the first apartment—the living room, dining room, a much smaller kitchen and two small bedrooms during their marriage in the mid 80's. A second apartment was purchased after their divorce in 1989, and a third—which constituted the back sitting room and bath—was acquired six months later when the place had been gutted. Ciccone made all the major design decisions, talking with Madonna once a week, while architect Stephen Wang carried them out. The style that emerged was a classic early Art Déco look. Ciccone kept as many original details of the 1915 building as possible, such as moldings and fireplaces, and paid attention to all-new minutiae, including the doorknobs and the color of screws. “I wanted to stay away from American Déco and late Déco,” he says, “because I felt this style was easier to live with and would age well.”
Setting the muted tone in the entrance is a circa 1930 Fresson print titled Nude by French photographer Laure Albin-Guillot
Just a casual vestibule!
“I get strength from my art—all the paintings I own are powerful,” says Madonna. The sitting Room featuring Les Deux Bicyclettes, 1944, by Fernand Léger hangs over the living room mantel. Le Coeur Voilé, 1932, by Dali is framed by Mondrian-style bookshelves designed by Ciccone.
The Sitting Room featuring Andromeda, 1929, by Tamara de Lempicka
Dinner is served! Nana de Herrera, 1930, by Tamara de Lempicka
“I love the office because I can use my fax machine and look at my Picasso at the same time,” says Madonna.
Powder Room
“I don’t like rooms you never use or that are wasted space, but I also like a sparseness and a cleanness.”- Madonna
Her soundproof gym. “Madonna likes to feel the music” says Christopher.
“Madonna doesn't cook much. I think she has a couple of cookbooks, and now and then she makes Rice Krispies treats, but I wanted to give her the option if she wanted to” - Christopher Ciccone
LOVE this post! Particularly the awesome pic at the top.
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